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COC Medea explores truth

Yesterday I attended the Canadian Opera Company’s Sunday matinee of Luigi Cherubini’s Medea. The main character may tell a lot of lies but that didn’t stop the audience from cheering her on in one of...

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After last performance of Don Pasquale, looking back and ahead plus two...

This afternoon we watched the Canadian Opera Company’s closing performance of the Renaud Doucet–André Barbe Don Pasquale at the Four Seasons Centre, bringing their spring season to a boisterous close....

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The lessons of James Morris’s Wotan for this Canadian

It’s Canada Day. I live in Toronto and am a subscriber to the Canadian Opera Company. I was remembering examples I’ve seen south of the border at the Metropolitan Opera. Yes they import talent,...

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COC’s timely Nabucco

I’ve just seen the Canadian Opera Company’s new Nabucco, a production of Giuseppe Verdi’s 1842 work from Lyric Opera of Chicago greeted by a rapturous audience at Four Seasons Centre this afternoon. I...

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Ambitious COC Faust

The Canadian Opera Company have a new production of Charles Gounod’s 1859 opera Faust, telling the tale of the old man who sells his soul to the devil for youth and romance. Gounod’s opera is but one...

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Nabucco not as written

I had another chance to see the Canadian Opera Company’s Nabucco last Saturday, this time using my subscription seat. The first time courtesy of the COC comp ticket I watched and listened as a...

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Faust Adaptations

Today I saw the closing performance of the Canadian Opera Company’s new production of Gounod’s Faust, in a week when it seemed everyone was selling their soul to the devil even without the manifest...

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Paraphrases on La Reine-garçon from Sherkin & Bilodeau

Today was my first time attending a noon-hour Canadian Opera Company concert in a long time, tempted by a few magic words: a world premiere performance of excerpts from a suite of paraphrases composed...

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Varieties of virtuosity: an interview with Piano Lunaire founder Adam Sherkin

Last month I was delighted to discover Adam Sherkin at a free noon-hour concert in the Richard Bradshaw Amphitheatre, a brilliant pianist & composer I probably should have heard sooner and founder...

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A first look at La Reine-Garçon

I attended the Canadian Opera Company’s presentation of La Reine-Garçon, their co-production of a new opera with a libretto by Michel Marc Bouchard and music composed by Julien Bilodeau. Today,...

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